May
3
to Jun 13

The Sky Is Not The Limit

'Don't tell me the sky's the limit when there are footprints on the moon.' —Paul Brandt

Riverviews Artspace presents “The Sky is Not the Limit,”  an artistic celebration of flight in all its limitless possibilities.


On First Friday, May 3, from 5:00 to 8:00 pm Riverviews Artspace will present an exciting and ground-breaking exhibition, a celebration of flight in all its historic, symbolic, and metaphorical possibilities, sponsored by the Lynchburg Regional Airport and in partnership with Amazement Square, Jubilee Family Development Center and the Anne Spencer House.


The Riverviews Main Gallery will showcase the work of 15 significant artists, both local and national, who have competed for inclusion in this important show and juried by Lesely Shipley. Among them is a Virginia artist who creates paintings that explore the varying perspectives humans have of the planet and who has had work in a number of New York galleries and the Taubman Museum of Art. Other artists reference environmental concerns or simply the beauty of flight itself. There will be a variety of mediums including imaginative and playful 3D pieces. Lynchburg’s own NASA Astronaut Leland Melvin will be in attendance, exhibiting his amazing astrophotography from his missions on the Space Shuttle Atlantis. He will also be happy to autograph your copy of his book, Chasing Space, if you would like to bring it to the gallery.


Enjoy the Jubilee Center Student Art Show in Riverviews Gallery 108, presenting student artwork related to flight along with a paper airplane making activity and paper airplane throwing contest. At 6:30 pm there will be a special talk by the Anne Spencer House and Gardens Executive Director Shaun Spencer-Hester, titled “Who is Chauncey Spencer?” The talk will highlight the life of Chauncey Spencer, an important pioneer in aviation from Lynchburg who was instrumental in the creation of the world famous Tuskegee Airmen. Later this month there will be a special exhibit at Amazement Square concentrating on the Tuskegee Airmen. 


All age groups at opening night are invited to enjoy a Pop-Up Planetarium sponsored by Amazement Square. Step into the inflatable planetarium in Riverviews’ Gallery 108 and discover the intersection of art, science, and solar observation in a unique way. You won’t want to miss this one-of-a-kind First Friday experience! It promises to be an unforgettable evening. You will enjoy live music by Selah Vie in the main gallery, wander through the artspace and visit a number of open artists studios to see where all the magic happens. The bar will be open (cash or credit) and a charcuterie board sponsored by Isabellas promises attendees delicious gourmet offerings.


After the First Friday opening reception on May 3rd, “The Sky is Not the Limit” exhibition will be on view at Riverviews Artspace through June 13, 2024, and the gallery will be open Wednesday through Friday, from 12::00 to 4:00 p.m. This event is free and open to the public. Donations encouraged.

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Jul
5
to Aug 16

Riverviews Photography Invitational

The four artists in the Riverviews Photography Invitational each move through the world creating a visual diary of their physical surroundings, their interests, and their innermost thoughts. Henri Cartier-Bresson once said that truly good photographs are made with the eye, heart, and head, in perfect alignment. Once the shutter is pressed, the moment will forever slip into the past, but the photograph will present it as an immediate experience to the viewer. All the beauty, passion, and thought behind the image then become a gift that exists outside of time. 

Join us for an opening night celebration on Friday, July 5, 2024, 5:00 - 8:00 pm. The show will remain on view through August 16, 2024.

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Sep
6
to Oct 13

Monstrous and Miniscule

Riverviews’ gallery is filled with extremes during MONSTROUS & MINISCULE, a print show so big it will be exhibited in two galleries. This exhibition will be held in the Main Gallery and in Gallery 108 from September 6, 2024 through October 13, 2024.

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Mar
1
to Apr 18

Signaling Theory by Siobhan Byrns

Signaling Theory - Siobhán Byrns

MAIN GALLERY

ON VIEW FROM MARCH 1 - APRIL 18

Thematically, my art is an attempt to raise awareness of the fragility of nature and the human experience that longs to be witnessed.

Addressing environmental and societal issues, this work is a deep investigation into the natural phenomena of our emotional attachment with beauty, love, and connection to each other and our own histories. In these processes and expressions, I hope to understand the concept of an individual's place in the world, with a particular focus on permanence and impermanence of relationships, families, women and their connection to the environment. Through a variety of mediums and artistic, chemical and elemental techniques rooted in conservation with respect for senescence and deterioration, I want the viewer to step into the complex notions of identity.

Impermanence and decay are implicit in our lives and yet we cling to the concert of artificial perfection and youth. The work asks viewers to contemplate their roles in a broader world, their connection to the global community and the ways in which they construct a sense of autonomy within their unique environment.

Chlorophyll printing is an alternative photographic process where photographic images are developed on natural leaves through the action of photosynthesis. This organic technique does not use chemicals since the photographs are exposed directly to the sunlight on plants or tree leaves.

The main collection of this exhibition is chlorophyll prints suspended in resin and site specific installations will explore and make visible recent experiences of being in a post pandemic landscape, alongside an awareness of our entanglements to place and nature, our perception of time/immortality.  For me, this means taking time to create work using an ethical and caring framework to discuss our relationship with our destruction, over use and poisoning of the environment. As such, these works are slow, fragile, repetitive, low-tech, analogue print and photographic processes. My interest is in the intimate and ephemeral. The process for the chlorophyll prints is almost ritualistic. The work often has a stillness, a delicate presence in the dark rooms where they take their form. 

In addition to the chlorophyll prints additional series will be exhibited including pieces from 999 Problems, but a Bitch ain’t one, which focuses on the white European male gaze and structuring of Art History and museum worthy work.  These individual works are 1000 piece puzzles of recognizable painting often seen to represent “Art.”  The missing piece is representative of women, people of color, visionary artists and primitive artworks.  

The other included works in this show are “Don’t worry I can fix it.”  This series examines childhood literature that models what love or healthy relationships are to American school age children.  However when seen through adult eyes these relationships can be interpreted as abusive, narcissistic, gaslit (gaslighting) or otherwise inappropriate.  This series also ties into previous work with gold, currency, and value with the concept of kintsugi or “golden joinery”. Also known as Kintsukurio, this is a traditional Japanese art of repainting broken or damaged pottery by mending areas with gold, silver or platinum.

Photo credit: Kendall Wagner

Artist’s Bio - Siobhán Byrns

Siobhán Byrns is a Full Professor of Art at the University of Lynchburg and teaches in both the Art Department and the Westover Honors College.  

Siobhán maintains an active artistic career and has participated in numerous one-person and group exhibitions. Her current research stems from sustainable darkroom practices and alternative process techniques that focus on current social and political pressures on women and the environment.

She has an upcoming solo show Signaling Theory opening on March 1, 2024 at Riverviews Artspace, Virginia, and a solo show at the Daura Museum of Art,  Anam Cara in March of 2025.  She is also currently exhibiting at Perspectives Gallery in Chicago for the exhibit LENS 2024.  This spring she will also be participating in an artist residency with the Burren College of Art in Co Clare, Ireland.  

Siobhán received her MFA in photography from the Art Institute of Chicago and received her BFA from the Maryland Institute College of Art, focusing both on traditional and time-based new media and photography. While a graduate student, she was formally trained as a fine art restorationist and conservator in some of the country’s most prominent museums. In 2004, while working in the Museum of The Art Institute of Chicago, she assisted in the digital restoration of Georges Seurat’s A Sunday on La Grande Jatte.

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Elemental: Kate McClure
Jan
5
to Feb 15

Elemental: Kate McClure

Kate McClure’s exhibition, “Elemental,” will be on display in Riverviews’ main gallery from January 5th to February 15th. Kate’s new work is abstract, conceptually based, and process-driven. Using bold color, gestural line, and texture, her simplified shapes float across the surface of the panel and provide contrast to the fields of color.

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15th Annual Juried Art Show
Nov
3
to Dec 7

15th Annual Juried Art Show

Hundreds of artists from throughout the United States enter their artwork of any medium into this competitive event at which the juror will select finalists to exhibit at Riverviews Artspace in November and December of 2023. Now a nation-wide call for entry, the Riverviews Artspace Annual Juried Art Show has been a tradition for 15 years. Artists of any media and subject matter, from any US state can enter 3 works for consideration to the chosen juror, Laura Pharis.

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Emerging Artist Series: Jerome Banks
Nov
3
to Dec 7

Emerging Artist Series: Jerome Banks

From starting my journey playing D3 football not knowing what I wanted to do with the rest of my life, to transferring to a community college in Harrisonburg, Virginia where I started taking art classes. There I would first get the art bug while taking painting, art appreciation, and ceramics. A little after my first year there, COVID-19 hit which left me at home, and with hours of time on my hands. The path to creating wasn't always clear, straight, or easy to navigate, but it has been one of the most rewarding & fulfilling things I've ever done ready and I'm excited for the continued journey ahead.

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Raw and Primitive Emotions: Unveiling Women's Inner Realities
Oct
6
to Oct 27

Raw and Primitive Emotions: Unveiling Women's Inner Realities

"Raw and Primitive Emotions: Unveiling Women's Inner Realities" seeks to ignite meaningful conversations about the unspoken struggles that women in the USA face on a daily basis. The exhibition will run from October 6th  to October 27th and will showcase a remarkable group of artworks that delve deep into the complex and often raw emotions that women experience.

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RVAS 20th Anniversary Exhibition
Sep
1
to Oct 19

RVAS 20th Anniversary Exhibition

For 20 years, Riverviews Artspace has been inspiring, challenging, and bringing people together through art in downtown Lynchburg. And we have no intention of stopping. Join us on Sept. 1st for the ultimate First Friday: a celebration of everything we've accomplished in the past two decades, and all the incredible friends we've made along the way.

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Emerging Artist Series: Claire Capron
Jul
7
to Aug 17

Emerging Artist Series: Claire Capron

My work is inspired by the beauty and drama of the natural world, which I attempt to capture and convey to the viewer through the strategic use of color and light. I am particularly fascinated with the ephemeral, shape-shifting cloud formations and kaleidoscopic light shows I witness daily, living in the Shenandoah Valley of Virginia.

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"Threads, Folds, and Rabbit Holes: Complex Webs of Making" by Kristy Deetz
Jul
7
to Aug 17

"Threads, Folds, and Rabbit Holes: Complex Webs of Making" by Kristy Deetz

The complex threads of the industrial jacquard weavings add another visual and conceptual layer to processand product. Translating images, slowly painted by hand, into a potentially mass-produced product that simulates slow work wrought by hand is amusing, mesmerizing, troubling, and a symptom of our times. As artists we engage in  a reciprocal fabric of making. We tie and re-tie “strings” that simultaneously pull on the past, present, and future, on the artist and the viewer.

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Emerging Artist Series: Ashley Wilkerson
May
5
to Jun 22

Emerging Artist Series: Ashley Wilkerson

To capture the beauty of a moment, a place, be it in nature or in a person, is a power of photography that I have fallen in love with. In my short adventures in the world, I have been blown away time and time again by these gems, sometimes hidden in plain sight. From the churning waters of Oahu’s shores, to the warm Texas sunlight filtered by trees and tall grass, I intend to share as much beauty as I possibly can. These moments speak to me, and maybe they speak to you as well. What draws you in more, fills you with peace or excitement? I personally enjoy the big, spacious scenes where nature is untouched, thriving and powerful.

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The Missing: Shaun C. Whiteside & Sidra Kaluszka
May
5
to Jun 22

The Missing: Shaun C. Whiteside & Sidra Kaluszka

These works each celebrate what we have, or mourn what has been lost. Whiteside's acrylic paintings feature dark voids in juxtaposition with lighter values, conveying not only a distinction between these opposing values, but also a sense of interlocked inseparability. Kaluszka's cyanotype photographs have a similar quality, with flat white silhouettes that both represent natural elements, as well as suggest a void where that same thing is missing. This is combined with hazy atmospheric qualities, as well as more traditionally photographed elements, resulting in imagery that is both recognizably physical and yet intangible, with familiar elements from a variety of contexts spliced together into mysterious dreamscapes. Kaluszka's sculptural ceramics and watercolors compel us to relish in the natural beauty that is perhaps accessible to many of us, but often overlooked and unconsciously missed.

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Water Unspoken: David Carlson
Jan
6
to Feb 16

Water Unspoken: David Carlson

The natural rhythmic flow hypnotizes.

Through video, I isolate water from its natural surroundings and place it into circumstance that opens the audience to a state of receptivity and thought not normally associated with water. Images form a bridge between the consciousness of the water and the consciousness of the viewer. I don’t tame the water. It is uncontrolled except for compositional placement, contrast and time shifts. Improvising, to isolate, as to see the quiddity of the water within the space is the objective.

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Emerging Artist Series: Students of Cindy Wood
Jan
6
to Feb 16

Emerging Artist Series: Students of Cindy Wood

Cindy Wood teaches beginning drawing, pen and inks, charcoal, colored pencil, and watercolor painting at Tradewynd Art Studio. Her students consist of Jr. High through High School ages. They study Upper torso anatomy for Portraiture, and 3D Drawing. Their year consists of drawing studies and 2 Completed Projects of our studies by the end of the school year.

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14th Annual Juried Art Show
Nov
4
to Dec 8

14th Annual Juried Art Show

Now a nation-wide call for entry, the Riverviews Artspace Annual Juried Art Show has been a tradition for 14 years. Artists of any media and subject matter, from any US state can enter 3 works for consideration to the chosen juror. Jurors in the past have been museum curators and educators from the VMFA in Richmond and the National Gallery in D.C., gallery owners, and contemporary art writers from across VA.

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Emerging Artist Series: Adara Wright - Lustre
Sep
2
to Oct 20

Emerging Artist Series: Adara Wright - Lustre

Emerging Artist Series

Adara Wright

Lustre

September 2nd through October 20th

ARTIST STATEMENT

Color, light, and buttery brushstrokes fill me with a creative euphoria, but it is the individual’s story, feeling, and purpose that make me come alive. The portrait is the primary focus in my work because there is something powerful and fundamental about connecting to a story or an emotion through the human face. At infancy, we find belonging and safety in seeing our parent’s smile. As adults, we discover a sense of home and acceptance in connecting with a dear friend or a partner’s loving gaze.  

I have also long been fascinated with dance and movement. Emotion, stories, and even just the day-to-day rhythms of our lives are so beautifully expressed and communicated through the figure in motion. 

Within my work, the viewer will find a variety of media used to explore capturing the portrait and the figure in motion. My hope is that this blend of color, value, and technique will draw the viewer into the story and concept to connect to a moment, a brushstroke, a smile, or a tear. As you take in each moment, may you be reminded that no matter where you are, you are never alone.

 

EXHIBIT CATALOG

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Printmaking: Benjamin Munoz & Big Ink
Sep
2
to Oct 20

Printmaking: Benjamin Munoz & Big Ink

Printmaking

Benjamin Munoz & Big Ink

September 2nd through October 20th, 2022

Gallery Hours - Wednesday through Sunday: 12-5pm

 

Benjamin Munoz

Artist Statement

In my work I seek to provide a narrative and document what is happening in the present moment around me, I do this by telling stories using imagery and composition. Told from my perspective, these stories are personal to me however I've found that they’re not unique to me. These are the stories of our society and culture in our time. 

I stack imagery in my work to provide structure to the account. Sometimes the stack of objects is chronological, a linear timeline starting from the base moving to the top. In other cases the imagery could be in order of relevance or importance. The object at the bottom of the piece holds that placement because without it nothing else could stand, it’s what that object represents that is the foundation of the story. 

I recently completed a series of prints titled the Endless Endeavor, the prints documented the story of my family. They start with my grandfather coming to the United States from Mexico City and ended with the birth of my daughters while exploring the generations in between. In that series the stacks symbolized the idea that each generation works hard to elevate the following generation so that they can obtain things that were out of reach for previous generations. This is one example of the ways that I am currently using imagery composition to provide a narrative.

 

Big Ink

Big Ink is an arts organization that invite artists to submit a large wood cut (at least 24″ x 36″) to be printed on site at one of their workshops. As part of their mission, BIG INK invites the general public to come watch the process for free! Riverviews will house their large scale press in our main gallery. Exact times and selected prints will be announced closer to date of the event. More details to follow!

They will predetermine the selected artists/entries before the event. Those selected will press 3 prints, one of which will be added to the BIG INK portfolio. Artists can be individuals or collaboration of two artists, with or without printmaking experience. Below you can find the participating artists and their websites if provided!

 

EXHIBIT CATALOG

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Sunflowers for Ukraine
Jul
1
to Aug 18

Sunflowers for Ukraine

Sunflowers for Ukraine

Creating sunflowers to support the Ukrainian people

July 1st through August 18th, 2022

Gallery Hours - Wednesday through Sunday: 12-5pm

 

Riverviews Artspace has created a community sunflower installation! The Lynchburg community has shown its support for the people of Ukraine with this one of a kind exhibition. We had oner 150 artists of all ages submit artwork of various mediums to participate in this community effort. All proceeds from works sold go towards Ukrainian relief.

 

A special thank you to all the artists who participated!

Don’t see your picture? Email pictures of you and your artwork to kate@riverviews.net or ask to get your picture taken with your work at First Friday on Friday, August 5th!

 

* Red dots are not up to date

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Emerging Artist Series: Candy Henderson
Jul
1
to Aug 18

Emerging Artist Series: Candy Henderson

Emerging Artist Series

Candy Henderson

July 1st through August 18th

ARTIST STATEMENT

Creating, for me, is like an orchestra instructor. I love being able to maneuver colors, highs and lows, intense and transparent. Using multiple mediums allows me to capture the vibrancy of colors in movement. I love making my work move. Switching to black light allows me to do as such. Bring forth the unseen beauty. 

 
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H. Bayne
Jun
3
to Jun 16

H. Bayne

H. Bayne

June 3rd through June 16th, 2022

Gallery Hours - Wednesday through Sunday: 12-5pm

 

Artist Statement

Happiness, Sadness, Anger, Fear, and Disgust. Angels, water, flames, entrails, and bugs somehow were the first images that came to mind while analyzing my emotions. Each representative of something, but also representative of nothing. I incorporate many versions of myself in these five self portraits - the versions of myself that I allow emotion to take over reason and thought. Although each painting is a visual representation of my emotions and my body, the viewer can interpret the pieces according to their own experiences - creating an equilibrium of shared emotion between the viewer and the artist.

The process for completing each painting included a period of isolation for five days, in which I had to complete the piece by the end of day five. I did not leave my apartment, I only spoke to my roommate in certain cases, and I controlled what entertainment/media I consumed during this time. I triggered a singular emotion for five days by following a specific routine depending on which emotion was being painted, which included a particular diet, sleep schedule, personal routine, and many other aspects of daily life. I wanted to complete this experiment because I have always been intrigued by the use and interpretation of emotion in the fine arts. I yearned to understand how far I could push my emotions into my work, as well as understand how the viewer can emotionally interact with the piece. This series taught me a lot about myself and how I process my emotions.

I hope to create a space in which one can feel. I want the viewers to experience their emotions - not the emotions that I decided to paint, but their emotions. This series is very personal to me, of course, but I want the viewer to consider this series personal to them as well. Emotions are not scary, they are what makes us human, and sometimes art alone can help a person feel more human.



 
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Bunny Goodjohn Pop-Up Exhibition
May
6
to Jun 16

Bunny Goodjohn Pop-Up Exhibition

HAGS & OTHER STARRATIVES

Bunny Goodjohn

May 6th through June 16th

ARTIST STATEMENT

My work looks for edges, those thin lines between the public and the private, between what we are told is the truth of a situation . . . and what we know is its reality. My work springs from those edges and resolves through an exploration of my own experience. 

The past six months have been a creative examination of aging spurred both by observing the increasingly condensed lives of my parents and by my own wrestle with menopause, a fight from which I emerged as both winner and loser. The result is a range of stitched narratives or "starratives" all worked organically and intuitively by hand and using discarded materials.

 

EXHIBIT CATALOG

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Nugent Koscielny - Tangible Nothingness: An Unfinished Becoming
May
6
to Jun 16

Nugent Koscielny - Tangible Nothingness: An Unfinished Becoming

Tangible Nothingness: An Unfinished Becoming

Nugent Koscielny

May 6th through June 16th, 2022

Gallery Hours - Wednesday through Sunday: 12-5pm

 

Exhibition Details

Every stimulus we encounter in our environments fuels our perception, our state of being  or process of becoming aware of something by the senses.This exhibition will examine  the intersection of experience and perception. Tangible Nothingness is an opportunity to  consider how our interactions within our world shape us and we then shape our world, how  we affect and are affected by our environment and by our experiences, translated through  psychology, biology/physiology, technology and installation design. 

The multi-media exhibition will be designed with consideration of contemporary ways in  which we move through our world, notice speed and time, and interact with others around  us. The work illustrates and invites the audience to consider how perception and association  are the basis for what may be understood.

 

Artist Statement

For me, recent times have been an adventure in staying home and being close to my family. Much of my work is drawn directly from my life at hand. During this period, awareness of the spaces we inhabit has been intensified. I have made numerous videos and recordings of my everyday life and thought deeply about the ways in which I experience speed and time, the psychological construct of memories and how these layer together within a consciousness and to what ends. I have often wished I had a camera or device to hand when I did not, to catch the moment, words or actions, as they were expressed before they faded into memory. 

On another layer, the work closely examines how we, as human beings, notice and interact with our environment. Inspired by ancient traditions and contemporary ubiquity; sundials and speedometers, random conversations, shaky cameras, the sounds of footsteps and heartbeats, the droning of engines. All of these aspects mingle together in the work to provoke reflection upon how we exist in these moments and make meaningful associations through captured traces. The goal for my work is to examine human behavior and thought and to offer viewers an opportunity to experience moments of increased awareness of their own perceptions and associations. 

Never finished, always becoming.

 

EXHIBIT CATALOG

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COMMUNITY EXHIBIT: Students of Cindy Wood
May
6
to May 26

COMMUNITY EXHIBIT: Students of Cindy Wood

Students of Cindy Wood

May 6th through May 26th, 2022

Gallery Hours - Wednesday through Sunday: 12-5pm

 

Exhibition Details

Cindy Wood  teaches beginning drawing, pen and inks, charcoal, colored pencil, and watercolor painting.  My students consist of Jr. High through High School ages.  They study Upper torso anatomy for Portraiture, and 3D Drawing. Their year consists of drawing studies and two Completed Projects of their studies by the end of the school year.



 

EXHIBIT CATALOG

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